Magic Markers

2 drawings I blasted out at the Savannah Jazz club in the Mission district. Used my new buddy, prismacolor markers.


Light gray markers (20-40 or 30-50) with bic ballpoint pens, used as a quick straight-forward way to learn a design style. Mostly silhouette-first. Inspired by Eric Scales, Florian Satzinger, and various teachers @ AAU. It's officially "on".





I hope I never have to draw a character like Pocahontas for a prolonged period of time. Ideal proportions *shudder*...
My 1st ever attampt at drawing the Bat. Copied from a freeze frame.

Character Turnarounds Under Fire

Ho-kay, so these aren't perfect, but I thought I should post them. Things have been hairy in these early weeks, but what the hey. I've just gotta do my thing.


My maquette design. I'm really asking for it this time haha. Needs a proper back view...


3-4 Animal Hybrid. Bat, lynx, eagle and gerbil.
Bill Clinton design.

Bill Clinton design revisions.
In-class design from live model. 4 minutes per angle.

Working on something...

A new banner for a new point in my life. And no, there are no perspective errors! My head has always been that freakishly big, and that putty in the front is abnormally tall. He was born that way and is very self-conscious, so how dare you.

The pretty line quality and tonal patterns will happen in the final stages. *sigh* When I think of what the coming semester is gonna' do to me, I almost want to change the blog title to "Brian Sydnor and the Deathly Hallows" (hmm...nah, The Dumpster's fine.). I'm expecting WAR, and I'm not going in unprepared.

Third Eye Blind's "Ursa Major" is a perfectly solid album, in case you're wondering. I thank them for the unexpected support.

Fun with Crayola Pencils

'Found my old stash of colored pencils and was surprised at how well they worked as drawing tools. That's why Crayola makes the big bucks, I guess.

Just one big pressure point...

There are actually TWO ways to make someone simultaneously explode. 1: spend your entire life studying the deadly art of Hokuto Shin-Ken. 2: Just have Trini press on the giant "Z" *rimshot*.

Yyyyyep. 'Harder than it looks to get those interesting angles. Might as well start now. Trini's right fist is far too big for the effect. And the left leg is a little muscular. Those'll change in the tracing process.

To quote the Pope from "Family Guy"...

"Heeeeeee's a-cookin' a-somethin' up!"



Also, my summer reading materials came in from Amazon, so I'll be reading and master-copying until something better comes along.

Wondercon Recap

This WonderCon was admittedly milder/smaller than many of the recent ones I've attended, but I was fortunate enough to stumble onto some amazing experiences. I met a bunch of AAU freshmen at the con and hope to see them again in the halls (a half-sane 5th year senior...best. representative. ever.) . Above are a few of the autographed thingies I picked up.

Thank you to all the industry professionals (i think the entire story teams of Pixar and Dreamworks were scattered about the exhibit floor lol) who took the time out to let me pick their brains (And thanks for the pep-talk, Mr. Balistreri). You may never remember me, but I'll never forget the gesture. It was more than worth buying the merchandise which I've yet to fully enjoy, and it was arguably worth the panic attack I suffered at the sight of my bank account. Also, a big shout-out to my myspace pal, Steph Laberis, who I ran by serendipidously.

I went to not 1 but 2 backstage signings, a first and second ever for me. One was for "Sit Down, Shut Up", where I met the likes of Kenan Thompson, Henry Winkler, and Will Arnett. The other was for "Spectactual Spider-Man". I decided to go to that instead of the "Up" panel and was rewarded handsomely for 'keepin' it real'. I had plenty of time to hang with the Spidey crew, including character designer, Cheeks Galloway! I saw the animated Wonder Woman, but had to give up my ticket to the Watchmen screening to a friend who was staying in SF (i couldn't miss the last BART train).

I also went to the panel for "League of Super Evil" which had a modest turnout. No matter, since when we ended early, the exec. producer, Asaph Fipke came down from the podium and rewarded 3 of us with an brief 3-on-1 micro-clinic on breaking into cartoon writing, making a proper pitch document and his insights regarding the animation market in Canada and the US (thanks again, man. awesome stuff.).

I also managed to bring back some manga swag for my young buddies at the TKD school, as usual ;).

Batman: The Brave and the Bold

AMAZING pilot. Now, I'll add that I've accepted that the original Batman: TAS was a fluke. A combination of hard work and a ton of luck. And I'll always admire Bruce Timm's crew for riding that fluke and changing the entire action cartooning game. Unfortunately, the days of a 50 piece orchestra accompanying your cartoon are pretty much over (unless your name is Seth McFarlane...).

In one short first sequence, the show quickly explained what producer James Tucker had so much trouble explaining without losing fans. This new Batman was less dark and funnier, but kept all the important elements to make it work.

In the pilot, "Rise of the Blue Beetle", Jamie Reyes (one of my new favorite DC characters), finds himself on an unplanned adventure with the worlds greatest crime fighter. By the end of the episode, Jamie learns the superhero business from the master himself, while Batman watches an inexperienced kid become a legendary hero.

The show had about 2 or 3 laugh-out-loud moments, with plenty more cool action sequences and interesting cinematic staging (familiar ground with WB Animation). What's really interesting about this new Bat-entry is the "brush pen" look. The clean-up drawings are given line-weight for the first time in recent memory, to further simulate that "old-skool" Dick Sprang look.

In a sentence, I dug it. Maybe you will too. Check it out on the CN.

Clothed Figure: Annie Oakley

I gotta tell you...a lot, A LOT, A LOT of crap went down between that last post and this one. Without going into detail, pretty much all of it was my fault. We've all been through it; those moments where you're the Chief Idiot in the room. This made it all the more important not to screw this assignment up, if it killed me. I needed to remind myself what I'm capable of.

I rode that feeling all the way to my first "A" in the semester (A-, and proud of it!). Ironically, I had a lot more fun with Ramses, but hey. Of course, even my best work isn't without it's "goofs". As usual, lay those critiques on me!

More Clothed Figure HW

Did them in a week (3+ days). All-nighters were involved. They were met with "mixed reactions" at school. Looking forward to the day when I can look back on this level of turnover and laugh.

Questions/ comments/ critiques welcome.


PS: Imagi Studios (TMNT, Astro Boy, Gatchaman) will be visiting AAU this Thursday (tomorrow), I think at 5pm. I have to work, so if anyone is going, PLEEEEEEASE tell me how it went. TMNT Director, Kevin Munroe really comes off as a passionate guy who seems to want to protect these kinds of properties and give them the treatment fans want. I'd like to work for a guy like that someday.

Clothed Figure Drawing HW

The assignment was to design 4 characters (een za nooode...). I was to choose 1 favorite and slap some clothes on it (the process involves a lot of tracing paper). The teacher spoke at great length on beautiful women, so I thought I'd challenge myself (and give a nod to Katie Rice) by endowing appealing shapes to this plus-sized fashion designer. The third one down was really popular, in fact I'm pretty sure I got docked for not following through in it. I got a "B", which I rarely ever see in figure drawing classes lol. After all the tracing I think she wound up a tad bit cross-eyed, but it's hardly noticeable. Still, gotta be more careful on that eye alignment...

Reading Scripts

I remember hearing several interviews of Brad Bird answering questions regarding being a better film maker. The half-cliche, time-tested query: "What advice do you have for an aspiring ________? *adolescent voice cracks*" ANYWAY one of his common answers was to read movie scripts. Sounds like a logical move...

But how do you go about GETTING these scripts!? I'm not sure how you get them in the conventional sense, but I'm reminded of a forgotten site that I visited back in high school. It's called Movie-Page.com. Somehow, the webmaster gathers scripts to just about every movie in Hollywood. I remember reading "The Matrix" with one of my best friends (I gave a legendary performance as Morpheus). Turns out it's still there after all these years. Enjoy.


SCRIPTS SECTION


OH FIIINE here's another Ranger doodle. Jason and his "jump front kick pop-up"

Before, and after Ben Caldwell...

I finished reading this book called "Action! Cartooning" after I bought my own copy. Before then, I was reading it out of the school library and mooching off the website. After reading it (this isn't a plug, btw...actually it kind of is...) I have to say a few things. First of all it did a fantastic job of explaining the "line of action" concept, where you always start your figure with the "spine" curve.

Second I learned some valuable construction tips that I'm still getting used to. My power ranger drawings improved so much I thought I'd to an "extreme makeover", before/after-type post. Each drawing now takes around 20 minutes and feature far more than just the straight "contra posto" (spelling?) pose.

SO...heeeeere're the scribbles I did in fall 07', that gave me this stupid idea...



aaaaaand HERE's a few quick drawings I spat out within 3 days ago.
Thanks, Ben! And to think, this is nothing compared to when I reeeeally get comfortable with these techniques... Dudes and dudettes (because this blog is so popular...), I know this book's been out a while, along with the "Fantasy!" sequel, but run, don't walk, to your local bookstore and pick this baby up!