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| Sizing chart. Looks like Zach is the "heavy" in this team. |
My online art journal. Visit my portfolio blog for my professional work. (down and to the right)
Showing posts with label cartooning. Show all posts
Showing posts with label cartooning. Show all posts
Thursday, January 24, 2013
Rough Groupshot (Costumed)
Trying to see how they all look as a group. I seem to have approximated the perspective pretty well (each is a separate drawing), though edits will be made during cleanup. Alsooo...more early development bits!
Thursday, March 17, 2011
Thursday, February 10, 2011
Self Portrait Rough and Cleanup
Saturday, December 25, 2010
Clothed Figure Drawing 2 Final
This is my final from Clothed Figure Drawing 2, where I introduced the T-Bone player's combo band. I was only supposed to draw 2 figures, but felt "adventurous". Then I felt really stupid and rushed. I'll have to tweak the tracing before any future use. The diaper fold in the back is going away, I'll say that much. Watched my childhood fave Christmas movie last night, "Santa and the Three Bears". I totally forgot about the strange and cool graphic transitions at the beginning, and between scenes.
Monday, November 1, 2010
The Emo Kid and My "CFD-2" Midterm
Thursday, May 20, 2010
Buy "Garfield: From The Trash Bin"!
I ran into this book while looking for another textbook, at Borders. If you see it there, flip through it! It's possibly the best Garfield book I've ever bought. Old-skool cartooning. If I were revamping the "Garfield & Friends" 2D cartoon for modern audiences (with Ray Romano as Garfield and Jon Cryer as Jon Arbuckle...I've thought about this...), I would first slide this over to the art director.
Jim Davis did 2 things here: He basically laid out most of the vis dev for my hypothetical design department, and reminded this reader who the master cartoonist was. This guy does more with a sharpie in a few seconds than I could render in an hour, pushed poses and all. Though his gags may have been too "much" for the newspapers, they would be perfect for TV animation. Tame, even. Click the image for the amazon site.
Jim Davis did 2 things here: He basically laid out most of the vis dev for my hypothetical design department, and reminded this reader who the master cartoonist was. This guy does more with a sharpie in a few seconds than I could render in an hour, pushed poses and all. Though his gags may have been too "much" for the newspapers, they would be perfect for TV animation. Tame, even. Click the image for the amazon site.
Monday, March 8, 2010
Character Turnarounds Under Fire
Ho-kay, so these aren't perfect, but I thought I should post them. Things have been hairy in these early weeks, but what the hey. I've just gotta do my thing.

My maquette design. I'm really asking for it this time haha. Needs a proper back view...

3-4 Animal Hybrid. Bat, lynx, eagle and gerbil.
Bill Clinton design.

Bill Clinton design revisions.
In-class design from live model. 4 minutes per angle.

My maquette design. I'm really asking for it this time haha. Needs a proper back view...
3-4 Animal Hybrid. Bat, lynx, eagle and gerbil.
Bill Clinton design.
Bill Clinton design revisions.
In-class design from live model. 4 minutes per angle.
Sunday, January 10, 2010
New Banner!
Thursday, December 10, 2009
Pirate Kids
Wednesday, July 1, 2009
Fun with Crayola Pencils
Tuesday, June 16, 2009
Just one big pressure point...

There are actually TWO ways to make someone simultaneously explode. 1: spend your entire life studying the deadly art of Hokuto Shin-Ken. 2: Just have Trini press on the giant "Z" *rimshot*.
Yyyyyep. 'Harder than it looks to get those interesting angles. Might as well start now. Trini's right fist is far too big for the effect. And the left leg is a little muscular. Those'll change in the tracing process.
Sunday, June 14, 2009
Power Roughs!
That's right...I totally whipped out a Shark Cycle.
More "Mighty Morphin' Power Roughs" to be cleaned up and photoshopped when I get a chance. I'll have to somehow make up for Billy's lukewarm pose in a later drawing. It was seriously pissing me off. BTW, see any perspective errors? --GOOD! Neither do I.
NOTE: Putties are surprisingly fun to draw...
Thursday, May 28, 2009
To quote the Pope from "Family Guy"...
Monday, May 25, 2009
Updates & Old Friends


Okay so I found out that Photoshop Elements does NOT have a pen tool. That sucks. But either way, Elements is a great program. I even revamped some designs from my freshman year of art school to experiment on... I guess we'll see if I can pull it off in Anime Studio.
And that's another thing! Anime Studio's controls seem to be a world and three moons apart from Flash. This is strange, considering the animation it produces is essentially Flash anyway. It'll take way longer than expected to find and "decode" all those Flash-esque controls so it can work for me.
As for the drawings, those familiar with "Roundhead and Pointy" may notice I messed with the floating eyebrows and chest letters. The thick outlines were for the vectorization attempt. If you look at them from afar, it doesn't look as much like a horrible idea...
Sunday, May 17, 2009
There's always something to do in the summer!!
I put together a basic plan for the summer, as I do for all my intersessions. I'll mainly be chippin' away at it during any spare time where my pals don't come callin' with another "get-rich-quick" scheme. Goodness knows I'm up for an entertaining 22 minutes of comic hi-jinx!
Step 1: Continue Netflixing and studying the recommended films from "The Visual Story"
Step 2: Aquire a copy of "Cartoon Animation", and do some master copies so I can channel the likes of Mark Christiansen and John K. in my own junk.
Step 3: Aquire a copy of "Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know", and read that bad boy up.
Step 4: Experiment with Anime Studio Pro, and see if I can do any substantial filmmaking with the software
Step 5: Experiment with this photoshop technique
Step 6: Drink beer and play Mario Kart DS all day
Step 7: Disregard steps 1 through 5
Step 1: Continue Netflixing and studying the recommended films from "The Visual Story"
Step 2: Aquire a copy of "Cartoon Animation", and do some master copies so I can channel the likes of Mark Christiansen and John K. in my own junk.
Step 3: Aquire a copy of "Cinematic Storytelling: The 100 Most Powerful Film Conventions Every Filmmaker Must Know", and read that bad boy up.
Step 4: Experiment with Anime Studio Pro, and see if I can do any substantial filmmaking with the software
Step 5: Experiment with this photoshop technique
Step 6: Drink beer and play Mario Kart DS all day
Step 7: Disregard steps 1 through 5
Thursday, January 8, 2009
Manhattan
Just finished the movie Manhattan, a few minutes ago. I was trying to pay attention to Gordon Willis' use of surface divisions, but Allen was just too funny to ignore ;o). Netflix is workin' out for me!
Also I finally put together a new pic for my other profiles. I may have to do another one. I got frustrated with my failed attempts to caricature myself and this...thing sort of happened.
Sunday, December 28, 2008
Penguin's Christmas: one of my favorite shorts...
It occurred to me to share this well after Christmas, but I think the trip will be well worth it. I found this on a web search and thought it was amazing. "Penguin's Christmas" was produced by a studio in the Netherlands called Animation Works. The short is beyond simple in it's execution. However, it sucked me in with it's basic color choices and music, and delivered with it's story and animation quality. I hope you like it.
Penguin's Christmas
Penguin's Christmas
Labels:
animation,
art,
cartooning,
cartoons,
christmas,
film,
short film
Thursday, December 25, 2008
Happy Holidays from The Dumpster!

Yes, through all the shopping, working, and chillin' with friends from far away, I managed to slap something together at the last minute. Whatever religion or tradition, Happy Holidays to you and yours.
(p.s. - Roundhead's supposed to read as Jewish, but since I'm allergic to beat-downs I tried to be tasteful with the costume)
Tuesday, December 2, 2008
Character Study: Annie Oakley
Saturday, November 22, 2008
Batman: The Brave and the Bold
AMAZING pilot. Now, I'll add that I've accepted that the original Batman: TAS was a fluke. A combination of hard work and a ton of luck. And I'll always admire Bruce Timm's crew for riding that fluke and changing the entire action cartooning game. Unfortunately, the days of a 50 piece orchestra accompanying your cartoon are pretty much over (unless your name is Seth McFarlane...).
In one short first sequence, the show quickly explained what producer James Tucker had so much trouble explaining without losing fans. This new Batman was less dark and funnier, but kept all the important elements to make it work.
In the pilot, "Rise of the Blue Beetle", Jamie Reyes (one of my new favorite DC characters), finds himself on an unplanned adventure with the worlds greatest crime fighter. By the end of the episode, Jamie learns the superhero business from the master himself, while Batman watches an inexperienced kid become a legendary hero.
The show had about 2 or 3 laugh-out-loud moments, with plenty more cool action sequences and interesting cinematic staging (familiar ground with WB Animation). What's really interesting about this new Bat-entry is the "brush pen" look. The clean-up drawings are given line-weight for the first time in recent memory, to further simulate that "old-skool" Dick Sprang look.
In a sentence, I dug it. Maybe you will too. Check it out on the CN.
In one short first sequence, the show quickly explained what producer James Tucker had so much trouble explaining without losing fans. This new Batman was less dark and funnier, but kept all the important elements to make it work.
In the pilot, "Rise of the Blue Beetle", Jamie Reyes (one of my new favorite DC characters), finds himself on an unplanned adventure with the worlds greatest crime fighter. By the end of the episode, Jamie learns the superhero business from the master himself, while Batman watches an inexperienced kid become a legendary hero.
The show had about 2 or 3 laugh-out-loud moments, with plenty more cool action sequences and interesting cinematic staging (familiar ground with WB Animation). What's really interesting about this new Bat-entry is the "brush pen" look. The clean-up drawings are given line-weight for the first time in recent memory, to further simulate that "old-skool" Dick Sprang look.
In a sentence, I dug it. Maybe you will too. Check it out on the CN.
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